Work · Book to Screen

More than
an adaptation.

Readers already had a relationship with these stories. I used that fan perspective to shape author content, creative concepts, and experiences that brought them into each adaptation while welcoming new audiences.

Three members of the Reese’s Book Club team pose with instruments on a Daisy Jones recording-studio set.
Inside the world of Daisy Jones & The Six · Personal archive

Belief

The best adaptations translate more than the story. They translate the feeling.

My role

  • Brand Strategy
  • Editorial Strategy
  • Creative Development
  • Partnerships
  • Community

01

The Story

I love that strange little moment when a story you’ve lived with in your head suddenly belongs to someone else, too. You see actors become characters, notice which lines or moments made the jump from page to script, and catch the tiny easter eggs meant for the people who were there first.

I also love what adaptations do for the books themselves. They bring new readers into the fandom, spark rereads, and create conversations between the people who loved the book first and those discovering it for the very first time.

The creative challenge is translating the feeling of the book for both.

02

The Opportunity

Readers already came into these adaptations with opinions, favorite characters, dream casting choices, highlighted quotes, and scenes they were waiting to see on screen.

The job wasn’t to manufacture excitement. It was to bring readers along for the ride while creating entry points for new audiences. The fan perspective became the creative filter for everything that followed.

“What would I want to see as a fan of the book?”

03

Daisy Jones & The Six

Bringing readers behind the curtain.

Daisy Jones & The Six was already one of my favorite books, so getting to work on the adaptation felt a little surreal. My role was to spotlight the author and bring our reader community into the world of the show—which made the assignment unusually simple: think like the fan I already was.

I organized the author shoot and shaped the creative alongside our social lead. We asked Taylor Jenkins Reid the kinds of things I knew readers would actually want: an easter egg she’d never shared before, the story behind “I am not the muse. I am the somebody,” that so many fans highlighted and created art around, and a message directly to readers on launch day.

The way I saw it, we were the bridge between the artist and the fan.

Our part in the campaign was to bring readers in. That meant a personality quiz, reader questions, music and easter-egg content, national early-access screenings, Prime Video partnership moments, and invitations for community members to attend the Los Angeles premiere.

  • Author content with Taylor Jenkins Reid
  • Fan-first creative concepts
  • Reader questions + easter eggs
  • Prime Video partnership
  • Early-access screenings
  • Community premiere access

Fan participation

Who doesn’t love a personality quiz?

We gave readers a playful way into the band: Which Daisy Jones & The Six character are you? ↗

Reese Witherspoon shares her Daisy Jones character quiz result on Instagram Stories.
Reese took the quiz, too—and shared her result.

Social content

Questions only a reader would ask.

Behind the campaign

The work behind the world-building.

Three team members stand in front of a Daisy Jones campaign poster wall holding books.
Team photo at Hello Sunshine · Personal archive
The team gathers at the Hello Sunshine office after filming with Taylor Jenkins Reid.
Filming with Taylor Jenkins Reid · Personal archive
Three team members take a mirror photo beneath the Daisy Jones and the Six logo at the premiere.
Premiere night · Personal archive

04

Where the Crawdads Sing

Turning anticipation into participation.

We built a connected campaign across the website, app, social, and newsletter editorial—then turned anticipation into action through early screenings, giveaways, marsh kits, ticket drops, sweepstakes, and community activations. The goal was to give readers reasons to keep returning to Kya’s world before and after opening weekend.

  • Editorial strategy
  • Website + app
  • Early screenings
  • Giveaways + ticket drops
  • Community activations

05

From Scratch, The Last Thing He Told Me & Tiny Beautiful Things

Helping stories find new audiences.

I carried the same fan-first thinking into other adaptations, from emotional editorial storytelling for From Scratch to a live podcast taping with Reese and the cast of The Last Thing He Told Me, and Little Free Library activations that brought Tiny Beautiful Things into local neighborhoods.

What Stayed With Me

The strongest adaptation marketing starts with the relationship readers already have with the story. Build from that trust, and you can create new ways for fans to participate, share what they love, and pull someone else into the story.

Project archive

More stories, more ways in.

A few more ways that fan-first thinking showed up across the work.

Daisy Jones & The Six

Take the character quiz ↗

Fan-First TikTok ↗

Where the Crawdads Sing

Deadline: the film surpasses box-office expectations ↗

More Book to Screen IP

From Scratch · The Last Thing He Told Me · Tiny Beautiful Things

Listen to the live podcast taping ↗

Next up → Lit Check

Turning trusted taste into a new path for discovery.

Keep reading ↗